I’m very excited to announce my latest project: Contour Lines!
Contour Lines is a program of contemporary electroacoustic and solo works for saxophone, featuring the newly commissioned piece, Shipbreaking. The project explores the landscape of contemporary saxophone, from avant-garde to classical to pop and jazz influences, with an emphasis on electroacoustic works. Concerts will showcase both established and young composers, including leading spectral composers Gérard Grisey and Fabien Lévy, Dutch composer and culture commentator JacobTV, current Meet The Composer Studio resident Kati Agócs, and past winner of the Look & Listen Festival competition Paul Leary.
Commissioned works by Victoria Cheah, Paul Leary, and Benjamin Taylor will represent the younger generation of composers. Cheah’s Strangeloop (solo bari sax) navigates the tangled hierarchical system of strange loops. Leary’s Number Stations (alto sax and audio playback) blends pop/rock influences with classical training. Taylor’s Shipbreaking (alto sax and processed sound) reflects on the wonderment of accomplishing monumental tasks through simple means. Shipbreaking was commissioned by an international consortium led by myself. Ben will be present at my Boston and Baltimore concerts to talk about his piece and give a hands-on demonstration of the technology used. The talk and performances will be shared on YouTube.
East Coast mini-tour:
April 18 @ 8:00pm – Gershwin Hotel, NYC
April 19 @ 8:00pm – Yes.Oui.Si, Boston (talk/tech demo by Benjamin Taylor at 8pm, concert at 8:30pm)
April 20 @ 9:00pm – Red Room, Baltimore (talk/tech demo by Benjamin Taylor at 9pm, concert at 9:30pm)
May 17 @ 9:30pm – On The Cusp, Jersey City
Fabien Lévy: L’air d’ailleurs-Bicinium
Benjamin Taylor: Shipbreaking – commissioned by international consortium
Gérard Grisey: Anubis-Nout
Victoria Cheah: Strangeloop – commissioned by Zach Herchen
Kati Agócs: As Biddeth Thy Tongue
Katarina Miljkovic: If in a winter…
Paul Leary: Number Stations – commissioned by Zach Herchen